If ever there was a tricky colour to work with in the home it would be lavender. So subsumed is this hue in negative associations — think musty old ladies, little bags of scent and crimpolene nighties — it is often over-looked, and therefore under-loved. And yet personally I think this is a shame. Tis not the fault of the hue; it’s all in the shade and application.
Too much pink in lavender, and it becomes sickly, like Parma Violets. Too much blue, and it’s just a sort of watered down purple. And then, even when it’s exactly the right hint of perky Bruise Purple, what it’s sat against can instantly tip it the wrong way again. So herewith my top tips…
- Working lavender with most other colours is a question of matching the shades. By this I mean the degree of grey, pink, yellow or blue tones within the respective colours. If these are the same, then the colours will go. It can make for slightly unusual combinations, but ones that I think are really rather wonderful. Think contemporary retro: lavender with tea rose, celadon or pale blue.
- It also works well with itself! In other words adjacent shades of lighter or darker lavender. In my own home I’ve used Farrow & Ball’s Brassica adjacent to Calluna (which it refers to as “a tranquil lilac”) sat next to Peignoir (a “romantic grey/pink”)!
- Navy! Lavender works particularly well with Navy. Something about the crispness and strictness of it sharpens the lavender, and gives it added edge.
- Never forget the context. If you paint a room in lavender then fill it with traditional furniture and chintz, it will inevitably look dated, however keep things streamlined and contemporary and it will feel completely different… just tale a look at it in the hands of fashion designer Peter Pilotto when he decorated a Victorian townhouse in the Brompton Design District for the London Design Festival in 2017 (below)!
These are the only four shades of lavender I will permit in paint…
- ‘Engraved Locket’ from Dulux (classic, pale, yet a bit dirty, lavender)
- ‘Brassica’ from Farrow & Ball (a dark brooding lavender with a hint of black)
- ‘Paloma’ from Annie Sloan Paints (described as a warm taupe grey derived from purple + yellow)
- ‘Cleopatra’s Nose’ by Fired Earth (similar shade to Brassica but lighter)