Lilac… to love or loathe?
January 31, 2018
September 22, 2018
After ‘Bruise Purple’ aka ‘HeartWood’, 2018 Dulux Colour of the Year (COTY), comes ‘Spiced Honey’ the proposal for 2019. It is described as being “inspired by the varied tones and remarkable properties of honey — natural, timeless and enduring, protective, rejuvenating and healing”. A warm tan tone, like “salted caramel with a hint of amber” in the words of Marianne Shillingford, Dulux UK’s Creative Director.
And why might that be right for now? As far as I’m concerned, I’m not sure that I’d leap to use this as a flat colour on my walls, despite the seductive photography. Instead I prefer to see it as representing natural finishes and textures. As suggested in my Trendbulletin ‘Posh Povera’, I believe that we’ll see an increase in the use of “materials like rattan, cork, plywood, sisal and hemp. The twist being that they will be employed as if they were haute materials in the hands of master designers.”
The point is a celebration of texture and tactility as an antidote to our increasingly smooth, screen-based worlds. Plus, all of these materials are freely available, economical to use and in their sustainability, tap into wider environmental concerns.
Seen through that prism, ‘Spiced Honey’ is a harbinger of what’s to come (it is the 2019 colour after all), which I’ll probably be calling ‘Soft Scandi’. In other words, I predict a return to that perennial favourite and hitherto shorthand for cool, classic Scandi-style.
However, the 2019 Trend iteration of Scandi Style will be decisively updated with a gentle wash of colour learnt from the ‘New Neutrals’ and oodles of extra added texture. Plus we’ll drop the pervasive love affair with grey. And in many ways, that’s what the images within this post seem to depict to me.
After all, ‘Spiced Honey’ is not meant to be used on its own. In fact, the Dulux team devise four complementary palettes within which it sits, in order to demonstrate more fully how to use it.
For 2019 they range from a set of ‘Warm Neutrals’. Shown below, all biscuity tones, including the enigmatically-named ‘Angora Blanket. Then nudes to burgundy with a dash of inky blue black.
Then ‘Soft Pastels’. Think various washes of grey blue to lavender through to last year’s Heartwood, green greys and smoky brown.
‘Intense Pigments’. Here ‘Spiced Honey’ is paired with hotter spice tones, sage green, teal and a nod to the pastels.
Finally, ‘Bold Brights’. This represents to me the ‘Happy Design’ trend. All vivid primary and secondary colours plus white.
And in this way, it all makes sense. Let me summarise. At the beginning of this year we saw the mainstream rise of what I called the ‘New Neutrals’, bringing a soothing salve of vaguely retro shades into the home. This was about the desire to cocoon and seek comfort in the safety of the home. Six months on and ‘Happy Design’ burst onto the main stage as a more shouty, upbeat version of its predecessor. However, as I said then, this was style as two-fingers to the zeitgeist.
What we’ll see next, as represented by ‘Spiced Honey’ is a more considered evolution. And it chimes with the times. To quote directly from the COTY Trend Report: “Last year, many of us were left unsettled by global events, so we closed our doors to retreat and regroup. Now we feel ready to throw open our windows and face the world again. There’s a desire to reach out, engage with others, to make things better and ‘be the change’.”
It continues, “We want to develop a new sense of independence and self belief, to become strong, stoic and resilient in the face of adversity. This sense of awareness has been gaining resonance in recent years, as people strive to be more conscious of what is really going on in the world. There’s a growing feeling that we can’t let others do the thinking for us anymore, we need to come up with our own solutions. There’s a growing desire to create homes where we can contemplate, consider, gain perspective and forge our own conclusions about what really matters to us.
Now, more than ever, we need the time and the space to think.”
I’ve quoted so extensively from the report because frankly I couldn’t have put it better myself. My only point of difference is that I believe that this ‘societal awakening’ will come in tandem with homes increasingly focused on earthing us, literally grounding us, by reconnecting us to the natural world through the tactility of the materials that we surround ourselves with.
Colours too for sure, but in truth, I’ll probably be adding more greens to my texture, than honey-hued browns.
Every year the company asks a team of top designers, architects, colour creatives and trend experts from all over the world to be its ears and eyes. Invited to the AkzoNobel Global Aesthetic Centre in Amsterdam (AkzoNobel is the parent company of Dulux), they share their forward-thinking insights with the Centre’s Creative Director, Heleen Van Gent, and her team, in a series of day-long forecasting sessions. The idea is to build a picture of where the world might be going, highlighting key consumer trends and painting a prediction of the mood to be. The next step: translation of these insights into colour! One key shade to represent an overall sense of the year in question, and four complementary palettes.
PS very excited to add as a footnote that I was invited to work with the AkzoNobel team on the 2020 Colour of the Year! But my lips are now sealed until next year. Only then can I give you more insight into this unique creative process.
You can see more examples of hoe to use ‘Spiced Honey’ on the Dulux website here.
PS Thank you for reading this, and if you’d like to know when I next post something, you can subscribe here.
Michelle Ogundehin is internationally renowned as an authority on interiors, trends, wellbeing and style. She is an influencer with expertise and the multi award-winning former Editor-in-Chief of ELLE Decoration UK.